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Sirk’s last movie in Hollywood, and last commercial picture, is the absolute triumph of melodrama—a coldly brilliant weepie, a tale of two intertwined families in which the materialist optimism is continually counterpointed by an emphasis upon racist tension and the degeneration of family bonds.
Sirk’s last movie in Hollywood, and last commercial picture, is the absolute triumph of melodrama—a coldly brilliant weepie, a tale of two intertwined families in which the materialist optimism is continually counterpointed by an emphasis upon racist tension and the degeneration of family bonds.